《艺概》与《乐论》比较研究——以“词曲”与“音词”为切入点

A Comparative Study of Art Concept and Rolmoi bStanbcos--Based on the Lyrics and Tune

《艺概》是清代学者刘熙载的文艺美学著作,著作中包含了植根于《易经》的阴阳辩证法、儒释道理论、陆王心学思想等,集中体现了中国古典哲学和美学思想。《乐论》是藏族著名学者萨迦班智达·贡嘎坚赞的音乐论著,深植于佛教声明学理论,分别论述了音、词、音词结合的内容,涉及音乐创作、音乐表演、音乐美学等方面,呈现了基于藏传佛教文化传统下的音乐知识体系。本文对二者进行基于当代艺术理论体系的比较,以期拓宽学术视野,并获取有助于当代音乐发展的借鉴因素。

This article is based on the Art Concept which is a literary and aesthetic work by Liu Xizai,who was a scholar in the Qing Dynasty,that contains Yin and Yang dialectics,Confucianism,Buddhism and Taoism,Lu Wang's thoughts and so on,which embodies Chinese classical philosophy and aesthetic thoughts.The Rolmoi bStanbcos is a music treatise written by the famous Tibetan scholar Sakya Pantida Kongga Gyaltsen.It is deeply rooted in the theory of Buddhist pronouncements,the treatise discusses the contents of tone,Lyrics and the combination of tone and Lyrics respectively,involving music creation,music performance,musical aesthetics and other aspects,presenting the music knowledge system based on the cultural tradition of Tibetan Buddhism.This paper will compare the two based on the theoretical system of contemporary art in order to broaden the academic horizon and obtain reference factors conducive to the development of contemporary music.