《金传》研究

A Study on Rtogs Brjod Gser Gyi Me Tog

《金传》不仅在《罗桑华尔丹大师书信》中是最为精彩的内容,在整个藏族诗坛也算是尤为绚丽。更值得一提的是,才旦夏茸·晋美柔贝罗哲在《罗桑华尔丹大师书信》的前言中写道:“罗桑华旦大师诗歌具有《诗经》中指出的印度东部与南部两类作诗风格,没有大量的辞藻堆砌,虽有少些辞藻但也很通达流畅,汲取了从第四甲子前期诗学开始传遍整个藏区的百余年间,所有诗文中的精华。”《金传》不但在《藏族历代文学作品选》及《藏族文学源流》等文献中多次出现,并且成为藏族寺院与大学课本中必修课程内容。本文对罗桑华尔丹大师所处的时代,其诗文的丰富内容,高超的创作风格,以及对后期藏族诗歌创作带来的影响等进行了研究和解读,借以彰显《金传》的创作风格、特点和对后人的影响。

Rtogs Brjod Gser Gyi Me Tog is not only most prominent in the letters of Master Blo Bzang Dpal Ldan,but also particularly brilliant in the poetry world of the entire Tibetan region.Especially Tshe Brtan Zhabs Drung Vjigs Med Rigs Pa'i Blo Gros wrote in the preface of the letter of Master Blo Bzang Dpal Ldan:"Master Blo Bzang Dpal Ldan's poetry has two types of writing styles that were popular in eastern and southern India.Since the early poetry of the fourth Rab Byung has spread throughout the Tibetan region for more than a hundred years,this poetry has absorbed the essence of other poetry".Rtogs Brjod Gser Gyi Me Tog was selected in the book named"Rtsom Yig Gser Sbram"and"Rtsom Rig Lo Rgyus Skal Bzang Mig Sgron"and has become a compulsory course content in Tibetan temples and university textbooks.Therefore,the author study and interpret the historical background of Master Blo Bzang Dpal Ldan,the rich content of his poems,the poetic style formed by absorbing the essence of early poems,and the impact on late Tibetan poetry creation.It is nothing more than to share my small research achievements and provide reference for the later research field of this master's poetry.