南朝宫体诗表演文本的特征及其形成

Characteristics and Formation of Performance Texts of Southern Dynasty Gongti Poetry

《玉台新咏》收录南朝宫体诗表演文本约两百多首,主要属于杂曲歌、相和歌、清商曲等音乐类型。通常借助悲苦凄清的音乐曲调、丝竹管弦等乐器演奏、轻柔婉转的舞蹈动作,以表现曲辞中女性的相思离情,体现了宫体诗表演文本音乐、舞蹈与曲辞相统一的文体形态。这些表演文本形成于帝王、宫廷文人与妃嫔、宫廷女伎的互动之中,呈现出“表演-接受-改制-表演”的创作特征。它们一般表演于宫廷宴飨场合,在艺术功能上与民间对歌表演以及仪式场合的雅乐表演有较明显的区别。

“Yutai Xinyong”collects over two hundred performance texts of Southern Dynasty Gongti poetry,which mainly include musical genres such as zaju songs,xianghe songs,and qingshang tunes.Typically,through the use of melancholic and mournful music melodies,silk-stringed and bamboo-woodwind instruments,and gentle and graceful dance movements,these texts portray the longing and separation of women in the lyrics,reflecting the aesthetic form of unity between music,dance,and lyrics in the performance texts of Gongti poetry.These performance texts were formed through the interaction between rulers,court literati,concubines,and palace female performers,exhibiting a creative characteristic of"performance-emperors acceptance-revision-performance."They were usually performed in court banquets,showing distinct differences in artistic functions compared to folk song performances and ceremonial court music performances.