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古籍高精复制方法探究——以明代刻本《对音捷要琴谱》的复制实践为例

Exploring Advanced Replication Techniques for Ancient Texts:A Case Study of the Ming Dynasty's Dui Yin Jie Yao Qin Pu
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摘要 《对音捷要琴谱》是明代杨表正所写的一本琴谱,他大胆创作提出了“正文对音”原则。琴谱作为纸质文物真实地记录了人类的历史和文化,是研究社会发展的重要史料,展览是传承古籍价值最有效的途径,但是因为文物的珍贵性不宜长久陈设,故对其进行复制。文中着重对文物复制过程中色彩管理技术的实施进行了介绍,在文物影像后期处理方面根据所要复制的内容确定了多次锐化的策略从而有效突出了想要强化的细节纹理。并尝试在Lab色彩模式下对文物影像进行调色。在打印输出过程中使用色彩管理软件对输出结果进行了预测。整套工作流程具有较高的可靠性,具备一定的实用价值。 Dui Yin Jie Yao Qin Pu is a qin music score written by Yang Biaozheng during the Ming Dynasty.It boldly proposed the principle of"matching the text with the sound."As paper artifacts,qin scores authentically document human history and culture,serving as important historical materials for studying social development.Exhibitions provide the most effective means of preserving the value of ancient texts,as prolonged display of these precious artifacts is not advisable.Therefore,replication becomes necessary.This article focuses on introducing the implementation of color management techniques in the process of replicating cultural artifacts.In terms of post-processing of artifact images,a sharpening strategy was employed multiple times to effectively highlight the desired details and textures.Additionally,attempts were made to adjust the colors of the artifact images using the Lab color mode.Predictive color management software was utilized during the printing process to anticipate output results.The entire workflow demonstrates high reliability and practical value.
作者 聂伟 Wei NIE(Department of Cultural Heritage Science and Technology,the Palace Museum)
出处 《印刷文化(中英文)》 2023年第2期153-163,共11页 Print Culture
关键词 色彩管理 文物影像 古籍复制 琴谱 color management artifact imaging ancient text replication qin music score
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