概念谱系与美学维度:重审后现代反讽

Concept Pedigree and Aesthetic Dimension:.Reassess Post-modern Irony

反讽(irony)是西方文论中意义丰富的概念之一,经历了漫长的历史演变,其内涵和外延不断得以发展与完善。历时性的反思为考察反讽概念的知识谱系与演变进程提供了一种视域,从而更深入地探究其在不同重要时期语境中的蕴含。反讽理论由早期的修辞学领域逐渐向美学、文学等层面拓殖,尤其是在后现代文化的语境之下,反讽也形成了多元的文化实践形式与审美风格,主要表现在两个方面:一是反讽在文学创作中包含的语言张力与叙述的客观性;二是在互联网时代的话语空间中,反讽内在批判性精神所承载的美学价值。同时,反讽理论在学术界的频繁引用与争鸣,凸显了其持久的理论活力。

Irony is one of the most meaningful concepts in western literary theory.Through a long history of evolution,its connotation and extension are constantly developed and improved.Diachronic thought provides a perspective for investigating the knowledge pedigree and evolution process of irony concept to have a 1 deeper understanding of its implications in different important contexts.The theory of irony has gradually expanded from the rhetorie field in the ealy perivd w he wuther fields,sueh as aestheties and philusuphy.Espetially in the context of post-modern culture,irony has also formed diversified cultural practice forms and aesthetic styles,which are mainly presented in two aspects:one is the linguistic tension and narrative objectivity contained by irony in literary creation:The other one is in the discourse space of the Internet era,the aesthetic value carried by the inherent critical spirit is ironic.At the same.time,irony theory is frequenly cited and debated in domestic academic circles,showing its lasting theoretical vitality.