舞蹈诗剧的诗性、结构与意境分析——从舞蹈诗剧《只此青绿》谈起

An Analysis of the Poetic Nature,Structure,and Artistic Conception of Dance Poetry Drama——Speaking of the Dance Poetry Drama Zhi Ci Qing Lu

舞蹈诗剧是在舞蹈诗基础上发展出的一种体裁样式。雅各布森的“诗性理论”对舞蹈诗剧的诗性、结构分析有着重要启示。诗性是舞蹈的一种内在品质,当作品的意义交流倾向于舞蹈形式本身,形式本身凸显的品质成为解释作品的主导因素时,舞蹈的诗性功能凸显。舞蹈诗剧的内在结构(即各篇章设置)注重“等值原则”,各篇章间体现“相似与同位”的关系,这种特殊组合方式,使舞蹈诗剧的内在结构具有从选择轴投射至组合轴的特征。舞蹈诗剧追求意境的表达,这点与皮尔斯提出的“解释项的无限衍义”概念有着相同的性质。意境源于具体表现对象,舞蹈须巧用各种符号形式引导接收者“跳过对象”,才能使作品的解释项朝着远处开拓。而解释项层层展开的过程,就是由“意”生“境”获得意境的过程,也是无限衍义的进行过程。

Dance poetry drama is a genre developed on the basis of dance poetry.Jacobson's"poetic theory"has important implications for the poetic and structural analysis of dance poetry dramas.Poetic nature is an inherent quality of dance.When the meaning exchange of a work tends towards the dance form itself,and the quality highlighted by the form itself becomes the dominant factor in explaining the work,the poetic function of dance becomes prominent.The internal structure of dance poetry dramas(i.e.,the setting of each chapter)emphasizes the principle of equivalence,and the relationship between each chapter reflects similarity and emplacement.This special combination method gives the internal structure of dance poetry dramas the characteristic of projecting from the selection axis to the combination axis.Dance poetry dramas pursue the expression of artistic conception,which shares the same nature as Pierce's concept of"infinite extension of explanatory terms".The artistic conception originates from the specific object of expression,and dance requires skillful use of various symbolic forms to guide the receiver to"skip over the object"in order to expand the explanatory items of the work towards the distance.The process of unfolding the explanatory items layer by layer is the process of obtaining the artistic conception from"meaning"to"realm",and it is also the process of infinitely extending meaning.