牧角悦子《诗经》学研究述评

A Review of Makizumi Etsuko’s Research on The Book of Songs

日本近代之前的《诗经》研究以考证学为主,近代之后以文学、文化人类学等新方法、新理论的新科学研究为主。牧角悦子教授将日本《诗经》近代之前的经学研究与近代之后的新科学研究加以融合,既传承了中国传统考证学的基础,又吸收了西方的研究方法与研究理论,是目前日本《诗经》研究的代表人物之一。牧角的《诗经》研究,从否定经学、重视文学与文化人类学,再到重新认识到经学与文献学的重要性,力图在经学与文学、文化人类学的平衡中综合研究《诗经》。牧角《诗经》学研究史所呈现的发展脉络与阶段性特征,也与日本《诗经》学整体发展具有高度的内在一致性,从一个侧面映射出日本《诗经》研究的近况。

In Japan,research on The Book of Songs prior to modern times primarily relied on textual analysis.However,with the advent of modernity,new methods and theories such as literature and cultural anthropology began to shape the trajectory of research.Professor Makizumi Etsuko stands out as a representative figure in the field of The Book of Songs research in Japan by integrating pre-modern Confucian classics studies with contemporary scientific research.Makizumi not only upholds the foundations of traditional Chinese textual analysis but also embraces Western research methods and theories.Her study of The Book of Songs evolves from initially challenging the significance of classics and focusing on literature and cultural anthropology to a re-acknowledgment of the importance of classics and philology.This balanced approach unites the realms of classics,literature,and cultural anthropology in her comprehensive research on The Book of Songs.Furthermore,the developmental context and chronological characteristics of Makizumi’s research align closely with the overall trajectory of The Book of Songs studies in Japan.This underscores the current state of research on The Book of Songs in Japan and exemplifies the prevailing trends in the field.