大江健三郎文学中的“同时代”——对《沉落的呼号》的作品解读

The Contemporaneity of KenzaburōŌe's Literature:Taking Manengannen no Football as an Example

《沉落的呼号》是大江健三郎的短篇小说集《新人呵,醒来吧》里面与众不同的一篇小说。与其他作品更多地以布莱克的诗歌和残疾儿“伊幼”为小说的支柱不同,《沉落的呼号》涉及到了三岛由纪夫自杀事件和青年一代的问题。本论文从大江的创作意识切入,以“同时代”这个将同时代性、三岛事件和青年一代这三者结合起来的关键词为中心,从身体和思想的同时代性的角度,解读这篇小说,通过讨论大江对“同时代”的认识,揭示出小说所表现的反天皇制思想。

Manengannen no Football is a distinctive novel in KenzaburōŌe's short story collection,Atarashii Hito yo Mezameyo.Unlike other works,which take Blake's poetry and the disabled child"Eeyore"as the pillar of the novel,Manengannen no Football deals with the suicide of Yukio Mishima and the problems of the younger generation.From the perspective ofŌe's creative consciousness,we find the key word"contemporary",which combines the contemporaneity,the Mishima incident and the younger generation.This paper interprets the novel from the perspective of the contemporaneity of body and thought,and revealsŌe's thoughts of anti-Tennoism behind the novel through discussing what kind of"contemporary"Ōe showed.