三尺婴孺诵由拳——屠隆诗歌探析

On Tu Long's Poems

屠隆的诗歌主张是明代诗坛由“复古”走向“性灵”的典型代表,他是晚明“楚声”逐渐占据主流诗坛的重要诗人。他反对前后七子拟古之说,主张尊古而不拟古,力主“不失赤子之心”的“性灵说”,其诗歌主张是晚明狂禅思潮在诗歌创作上的反映。屠隆诗作以狂放不羁的咏侠诗和哀叹民生的讽喻诗为主,兼及富于生活情调的闺情诗,其主要诗篇饱含诗人心忧天下、悲天悯人的爱国主义情怀。

Tu Long's poetic proposition is a typical representative of the Ming Dynasty's poetic world from “retro” to “spiritual”.He is an important poet who gradually occupied the mainstream of the late Ming Dynasty's “Chu Sheng”.He opposed the theory of the qi zi(seven poets) imitating the ancients before and after,advocated respecting the ancients rather than imitating the ancients,and advocated the “spirit theory” of “not losing the heart of a child”.His poetry proposition was a reflection of the late Ming Dynasty's Zen mania in poetry creation.Tu Long's poems are mainly composed of unbridled chivalrous poems and allegorical poems lamenting the people's livelihood,as well as boudoir poems full of life sentiment,which are full of the poet's patriotic thoughts of worrying about the world and sympathizing with the world.