摘要
玻璃与陶瓷的跨界整合,是一个新的材料突破,更是艺术媒介的突破,这给艺术市场带来了新的活力。与此同时,在中西的结合的同时,也需要艺术家们积极发掘本土的艺术语言表达,而其中艺术作品能否呈现“境”,是极其重要的,“境”的美学范畴从提出到现在已有千年之久,这显然是我们中国传统美学体系的重要部分,也是独特的民族艺术语言。陶瓷玻璃艺术的出现,扩大了“境”的边界的探索,也是技术与工艺的创新与整合,这必将给艺术思潮带来新的推动,也带来新的艺术风格,也会给观者一个新的审美体验。
The cross-border integration of glass and ceramics is a new breakthrough in materials and art media,which has brought new vitality to the art market.At the same time,while integrating China and the West,it isalso necessary for artiststo actively explore the expression of local artistic language,and it isextremely important whether artistic workscan present"jing".The aesthetic category of"jing"has been proposed for thousands of years,which is clearly an important part of our traditional Chinese aesthetic system and also a unique national artistic language.The emergence of ceramic glass art has expanded the exploration of the boundaries of"realm",as well as the innovation and integration of technology and craftsmanship.This will certainly bring new impetusto artistic trends,new artistic styles,and anew aesthetic experience for viewers.
作者
林婧
Lin Jing(Jingdezhen Ceramic University,Jingdezhen,333403)
出处
《陶瓷研究》
2023年第4期147-149,共3页
Ceramic Studies
关键词
陶瓷玻璃
跨学科
境
传统美学
艺术语言
Ceramic glass
Interdisciplinary
Environment
Traditional aesthetics
Artistic language