从“自然向人生成”到“宇宙向美而生”——论曾永成人本生态美学思想的发展理路

From “Nature to Humans” to “Universe to Beauty”——On the Development of Zeng Yongcheng's Thought on Humanistic Ecological Aesthetics

曾永成先生基于生成本体论构建的人本生态美学观,以其审美生成、节律感应等富于创造性的思想范畴,成为当代中国生态美学领域具有代表性和广泛影响力的生态美学理论之一。他的人本生态美学思想兼顾审美性与生态性,融合人文性与科学性,贯通历史维度与逻辑维度,为美学的当代生态化发展贡献了新的理论路向。人本生态美学思想的发展,从“自然向人生成”的生成本体出发,沿着审美生成的逻辑线索,在人类与自然的生态本性与审美目的的统合中,走向“宇宙向美而生”的大道天理。

Mr.Zeng Yongcheng's humanistic ecological aesthetics based on generative ontology has become one of the representative and influential ecological aesthetic theories in contemporary Chinese ecological aesthetics,with its creative thought such as aesthetic generation and rhythmic induction.His humanistic ecological aesthetics thought takes into account both aesthetics and ecology,integrates humanities and science,and connects historical and logical dimensions,contributing to the contemporary ecological development of aesthetics with new theoretical directions.The development of humanistic ecological aesthetic thought starts from the generative ontology of “nature to humans”,follows the logical traces of aesthetic generation,developing towards the cosmic principle of “universe to beauty” in the integration and homogeneity of ecological nature and aesthetic purpose between humans and nature.