明清官服补子海水江崖纹在陶瓷陈列品设计中的应用——以作品《子衿》为例

Application of Buzi Seawater River Cliff Pattern in Official Clothes of Ming and Qing Dynasties in the Design of Ceramic Displays--Taking the Work"Zi Jin"as an Example

在中华历史长河中,各时期都有其独特的服饰文化。明清是封建王朝末期,这一时期的服饰文化保存较为完好,留给后世的历史文献也十分丰富,伴随影视剧情的加持,世人对这一时期的服饰文化会更为熟悉。为此,笔者以明清官服补子海水江崖纹图案作为装饰主题,并将其与陈设瓷造型融合在一起,通过新旧交融,寻求一种新的装饰方法来实现“形”和“型”的结合。“子衿”通过运用青花、新彩等陶瓷装饰技法,将中国传统服饰文化与中国陶瓷艺术的美感结合起来,在“陶瓷造型”和“陶瓷装饰”中寻求两者的平衡,并进一步的融合、创新与发展。

In the long history of China,each period has its unique clothing culture.The Ming and Qing Dynasties were the end of the feudal dynasties.The clothing culture of this period was relatively well preserved,and the historical documents left to later generations were also very rich.With the blessing of film and television plots,people will become more familiar with the clothing culture of this period.For this reason,the author takes Buzi seawater river cliff pattern of the period as the decoration theme,and integrates it with the shape of the porcelain display,and seeks a new decoration method to realize the combination of"form"and"shape"."Zijin"combines traditional Chinese clothing culture with the beauty of Chinese ceramic art by using ceramic decoration techniques such as blue and white and new colors,and seeks a balance between the"ceramic modeling"and"ceramic decoration",and further integrates,inn ovate and develop them.