摘要
走兽绘画题材的历史比陶瓷还要久远,早在陶器时代就已出现,直到宋代才被正式确立为独立的画科概念。在遗存的走兽题材画作中,我们可以感受到古人对于大自然的敬畏之心、热爱之情,随着陶瓷这一艺术门类的日趋成熟,赋予了“走兽”更具视觉冲击效果的表达途径。在科技进步的现代社会,个性自由的艺术家以及先进的工艺技术又将走兽题材引向新的可能,但是不论工艺技术如何革新,人们对于自然的敬畏,以及借物喻情的含蓄表达仍旧体现在其创作的作品当中。
The subject matter of animal painting has a longer history than ceramics,appearing as early as the pottery era,and was not formally established as an independent painting concept until the Song Dynasty.In the surviving paintings of beasts,we can feel the ancient people's reverence and love for nature.The increasing maturity of ceramics as an art discipline has given"beasts"a more visually impactful way of expression.In modern society with the advancement of technology,artists with freedom of personality and advanced technology have led to new possibilities for the theme of beasts.No matter how innovative the technology is,people's reverence for nature and the implicit expression of emotions through objects are still reflected in their works.
出处
《景德镇陶瓷》
2023年第3期108-110,共3页
Jingdezhen Ceramics
关键词
走兽
陶瓷
情感表达
Animal
Ceramics
Emotional Expression