摘要
秦汉两代在时间上间隔上不超过百年,但主流图案纹饰相去甚远。历史中相近的朝代无论在文化、思想上,还是习俗、纹饰都会有较为相近的地方。这是后者对前者的学习与模仿,也是对前者文化的包容与总结,但是秦汉的关系则较为特殊。笔者以纹饰为例,阐述从中华传统纹饰展现出由直线到曲线,由动物转变为植物的风格变化,而这些变化的产生并非偶然,是多重历史因素相结合产生的必然结果。
The Qin Dynasty followed the Han Dynasty,and the time interval between the two was not more than one hundred years,but the mainstream patterns and patterns were far different.The similar dynasties in history had relatively similar places in terms of culture,thoughts,customs and patterns,which was the learning and imitation of the former by the latter,as well as the tolerance and summary of the former's culture.However,the relationship between Qin and Han was rather special.Take decorative decoration as an example.Since the Han Dynasty,traditional Chinese decorative decoration has shown great style changes from straight line to curve,from animal to plant.These changes are not accidental,but the inevitable result of the combination of multiple historical factors.
作者
曹若彤
Cao Ruotong(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,33403,China)
出处
《陶瓷》
CAS
2023年第8期12-14,共3页
Ceramics
关键词
秦代
汉代
云气纹
纹饰变化
Qin Dynasty
Han Dynasty
Cloud pattern
Decorative changes