摘要
作为新中国十七年(1949—1966)美术创作最重要的主题,人民形象从或微观或宏观的角度彰显出时代风貌,具有独特的艺术价值和持久的社会影响力。新中国美术家们通过对画面构成形式的调整与改造,实现人民形象在艺术表现、功能价值和精神意义方面的传承和创新,使人民形象成为统合主人地位、实现现代化和幸福生活的象征性形象。
As the most important subject of art creation in the Seventeen Years of New China(1949-1966),the people’s image reflects the style of the times from both micro and macro perspectives,with unique artistic value and lasting social influence.New Chinese artists have adjusted and transformed the composition of their images to achieve the inheritance and innovation of the people's image in terms of artistic expression,functional value,and spiritual significance,making the people's image a symbolic image that integrates the master's position,realizes modernization,and a happy life.
出处
《南京艺术学院学报(美术与设计)》
北大核心
2023年第4期14-18,I0009,共6页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
国家社科基金艺术学重大项目《中国共产党领导下的百年新美术运动研究》(19ZD20)阶段性研究成果。
关键词
人民形象
新中国
十七年
绘画
people's image
New China
Seventeen Years
painting