王昌龄《诗格》中的主客交融理论探析

The Analysis of Wang Changling's Theory of Subject and Object Blending in Shi Ge

我国古代诗歌中的情与景等主客交融的关系是中国古代诗学的中心问题之一。主客交融理论是中国古代文学理论中重要的一部分。王昌龄《诗格》是盛唐诗格类著作的重要代表,王昌龄在《诗格》中对主客交融关系进行了具体论述,其中“十七势”“常用体十四”“三境”“论文意”等部分是这一范畴重要的生发阐释。王昌龄在《诗格》中的论述,反复强调了创作者主观情志、感悟与景物、道理等客体的交融。这对我国诗歌创作、诗境理论的发展产生了深远的影响。因此,深入探讨王昌龄《诗格》中主客交融的诗歌体势、主客交融的诗境等理论具有一定的研究意义。

The relationship between subject and object in ancient Chinese poetry,such as affection and scene,is one of the central problems in ancient Chinese poetics.The blending of subjective and objective things is an important part of ancient Chinese literature theory.Wang Changling's Shi Ge is an important representative of the poetry style of the prosperous Tang Dynasty.In Shi Ge,Wang Changling specifically discusses the relationship between subject and object,among which"Seventeen Shi","Fourteen common styles","Three Jing"and"The Meaning of Articles"are important generative interpretations of this category.This has profound influences on the creation of Chinese poetry and the development of the theory of poetic context.Wang Changling's discussion in Shi Ge repeatedly emphasizes the integration of the creator's subjective emotions,understandings and objects such as scene and truth.Therefore,it is of certain research significance to deeply study the poetic style and poetic context of subject and object blending in Wang Changling's Shi Ge.