记忆与想象:古代朝鲜文人的湖湘胜景书写

Memory and Imagination:Huxiang LandscapeWriting by Ancient Korean Literati

作为极具湖湘地域文化特征的自然胜景,潇湘、洞庭湖、衡山借助“潇湘八景”的海外流播,成为海东文人稔熟于心的书写对象。潇湘、洞庭湖、衡山三者常常作为湖湘文化的“隐喻”而被赋予了相对稳定的意旨:潇湘被古代朝鲜文人视为寄托哀思,存放理想的自由处所;洞庭湖被视为怀古感今,忧国忧民的诗意空间;衡山则被视为失意悲愤、苦闷归隐的理想家园。古代朝鲜文人的湖湘胜景书写蕴涵着经典传诵之间,中朝诗家共鸣同感的审美情趣,是古代中国与朝鲜半岛在平等对话交流中进行彼此理解,进而促成各自文化意义增殖与再生的鲜明例证之一。

As the natural scenic spots with the characteristics of Huxiang regional culture,Xiaoxiang,Dongting Lake and Hengshan Mountain have become the writing objects of the literati from the Korean Peninsula with the overseas broadcast of“The Eight Scenes of Xiaoxiang”.Xiaoxiang,Dongting Lake and Hengshan Mountain are often given a relatively stable meaning as the“metaphors”of Huxiang culture:Xiaoxiang was regarded as a place of freedom for the ancient Korean literati to express their sorrow and store the ir ideal;Dongting Lake was regarded as a poetic space for remembering the past and feeling the present;and Hengshan Mountain was regarded as an ideal home for the frustrated,sad and depressed.The Landscape of Huxiang in the writings of ancient Korean literati contains the aesthetic trend of Chinese and Korean poets’empathy between the classical recitations,which is one of the distinct examples of ancient China and Korean Peninsula understanding each other through equal dialogue and exchange,thus promoting the multiplication and regeneration of their respective cultural meanings.