诗影交辉:从《明亮的星》管窥英国摄政晚期的社会民俗与济慈的经典化再生历程

Poetic Shadow and Movie Reflection:A Glimpse into the Social Folklore of the Late Regency of Britain and the Evolution of Keats'Recanonization from The Bright Star

作为与济慈诗歌同名的经典传记式影片,《明亮的星》以小见大、寓意深远。影片精彩地复现了济慈人生中的最后、也是最重要的3年光景(1818-1821),不但使观众对诗歌创作主体的诗人个体——济慈获得了深入了解,而且使其深入地体察英国摄政晚期社会风俗的方方面面:文化时尚与社会阶层隔离、性别区别与男女分工、文化交流与婚姻嫁娶等。影片不但展示出作为个体诗人的济慈在建构其个体知识分子身份过程中所持有的独特焦虑情感,而且表现出其在建构公共知识分子身份过程中所承担的责任与担当,以此折射出跨学科视角下影视传播在济慈作家身份经典化过程中发挥的独特作用。

The film Bright Star,taking the exact title from Keats'poem“The Bright Star”assumed to be composed for his beloved girl,Fanny,was profound and penetrative.Through vivid and penetrative depiction and presentation of Keats's very last three-year lifetime,it leads viewers to further understand and comprehend such a representative poet both as a writer and a real person and also reflects the the social customs during the latter British Regency ranging from cultural fashion and social segregation,the gender distinction and respective distribution of social affairs,the cultural communication and marriage modes,etc.Besides,it penetrates into the poet's anxiety stemming out during the constructing process of the public intellectual identity and the corresponding responsibilities and undertakings,thus reflecting such unique function that the film as one of crucial cross-disciplinary modes plays in canonization of a writer.