摘要
通过对藏戏面具、山西爱社傩面具二者的历史渊源、面具的色彩、面具的造型进行考察,藏戏起源于公元8世纪藏族的宗教艺术,山西爱社傩演绎了歌功颂德的创世英雄神话传说,二者面具在色彩、造型方面表现出极大的不同,在表演场域、时空构建、色彩意蕴方面又体现了相同、相似性,一定程度上反映出汉藏文化艺术各自的特征。
Tibetan Opera originates from Tibetan religious art while Aishe Nuo demonstrates myths and legends giving credit for heros creating the world.On the basis of the exploration about the historic origins,colors and modelling of Tibetan Opera Mask and Aishe Nuo masks,it is found that these two masks have great differences in colors and modelling.However,the two kinds of masks show considerable similarities in performance fields,space-time construction,implication of colors,mirroring to a certain extent the respective features of both the Han and Tibetan culture and art.
作者
贾潇晴
JIA Xiao-qing(The Art Institute,Tibet University,Lhasa Tibet 850000,China)
出处
《吕梁学院学报》
2023年第4期35-38,共4页
Journal of Lyuiang University
关键词
藏戏面具
山西爱社傩面具
异同性
Tibetan Opera Mask
Aishe Nuo Mask in Shanxi Province
similarities and differences