广西壮剧的民族文化交融及其中华文化认同功能论析

AN ANALYSIS ON THE ROLE OF GUANGXI ZHUANG OPERA ON ETHNIC CULTURE INTEGRATION AND CHINESE CULTURE IDENTIFICATION

作为少数民族戏剧代表之一的广西壮剧,其发展历程体现了中华多民族戏剧交融的史实。《中国壮剧传统剧作集成》的出版,不仅保护和发展了广西壮剧,还为研究广西壮剧的民族文化交融及其中华文化认同功能提供了极大的文本便利。通过对广西壮剧剧本的考察,可以清晰地发现广西壮剧剧目对汉地剧目有着不同程度的吸收和借鉴,从壮剧对汉族剧目移植和改动的幅度上看,这种交融可分为直接引进汉族剧目、移植后改编与移植后再创作三种类型。在此基础上成熟的广西壮剧又衍生出自编剧目,在构思、编排、表演上都体现出广西壮剧对中华文化认同的表达,对铸牢中华民族共同体意识发挥着独特的作用。

As one of the representatives of ethnic operas,Guangxi Zhuang opera’s develop-ment process embodies the historical reality of the integration of multi-ethnic operas in China.The publication of the Collection of Traditional Zhuang Opera in China not only protects and develops Zhuang Opera in Guangxi,but also provides great text convenience for studying Guangxi Zhuang op-era’s role on ethnic culture integration and Chinese culture identification.Through the investigation on the scripts of Guangxi Zhuang opera,it can be found clearly that the scripts of Guangxi Zhuang opera have absorbed and borrowed from the scripts of Han opera in different degrees,and from the extent of transplantation and modification of Han opera by Zhuang opera,this integration can be divided into three types:the direct introduction of Han opera,the adaptation after transplantation opera,and the recreation after transplantation opera.On this basis,the mature Guangxi Zhuang opera develops its own self-make scripts,which reflects the expression of Guangxi Zhuang opera's identification to Chinese culture in the conception,arrangement and performance,and plays a unique role in forging a strong sense of community for the Chinese nation.