青筠留韵-常州留青竹刻的美学特色及其在首饰设计中的应用

Qingjun Liu Yun:The Aesthetic Characteristics of Liuqing Bamboo Carving in Changzhou and Its Application in Jewelry Design

常州留青竹刻是中华民族传统手工技艺的杰出代表,其是在薄如蝉翼的竹青上进行雕刻,并铲去图像以外的竹青,露出部分竹肌,随着时间的推移,逐渐显现出竹青与竹肌的色彩差异。本文通过田野调查,在走访多家著名留青竹刻工作室和艺术馆之后进行分析,探讨了留青竹刻的美学特色及在首饰设计中的运用,通过对历史渊源、艺术特色和文化内涵等方面的剖析,深入挖掘留青竹刻这一传统工艺的精髓,并结合现代设计理念,探索留青竹刻在首饰设计中的创新应用,打破竹刻与首饰联结薄弱的现状,逐步完善优秀竹刻艺术与首饰跨领域结合的文献储备,以期为传承和发展留青竹刻艺术做出一定的贡献。

Changzhou Liuqing bamboo carving is an outstanding representative of traditional Chinese handicrafts.It is carved on the thin layer of green bamboo and the excess green layer is removed to reveal the bamboo flesh,resulting in a gradual color difference between the green layer and the flesh over time.This article analyzes the aesthetic characteristics of Liuqing bamboo carving and its application in jewelry design through field research and visits to famous Liuqing bamboo carving studios and museums.By examining its historical origins,artistic features,and cultural connotations,the essence of this traditional craft is deeply explored,and combined with modern design concepts to explore innovative applications of Liuqing bamboo carving in jewelry design.This aims to break the weak connection between bamboo carving and jewelry,gradually improve the literature reserve of excellent bamboo carving art and jewelry cross-disciplinary integration,and make a certain contribution to the inheritance and development of Liuqing bamboo carving art.