藏传佛教中国化:汉藏寺庙建筑的审美共通性

Sinicization of Tibetan Buddhism:Aesthetic Commonality of Sino-Tibetan Temple Architecture

藏传佛教寺庙建筑蕴含的美学精神和其他寺庙建筑具有共通性,是典型的具有民族特色的中华美学精神的体现。藏传佛教寺庙的选址观念与道教“洞天福地”的理念具有共通的审美取向。在藏传佛教寺庙的绘画装饰空间中,可以领略到人的自觉和发展,尤其是寺庙壁画突显出了“人之美”。藏传佛教寺庙建筑作为佛教艺术,为了获得本土群众的审美接受,在审美观念、审美判断、审美情趣和审美方式上做出了大量适应藏地的改变,呈现出对中华民族共同体美学意识的强烈追求。藏传佛教寺庙建筑作为中国宗教艺术,在新时代的条件下应给予深刻的符合社会主义核心价值观的理论阐释,从而传承文化的优秀基因,展现中华审美风范,为实现中华民族的伟大复兴贡献艺术的力量。

The aesthetic spirit contained in the Tibetan Buddhist temple architecture has the commonality with the inland temple architecture,which is a typical embodiment of the Chinese aesthetic spirit with Tibetan characteristics.There is a common aesthetic orientation between the concept of Tibetan temple site selection and the Taoist idea of constructing“heavenly cave and blessed land”.In the painting and decoration space of Tibetan temples,we can appreciate the consciousness and development of human.In particular,the temple murals highlight the“beauty of human”.As a Buddhist art,Tibetan Buddhist temple architecture,like other places in China,has made a lot of changes in the aesthetic concept,aesthetic judgment,aesthetic taste and aesthetic way to adapt to Tibetan regions,showing the strong pursuit of the aesthetic consciousness of the Chinese nation community.As a Chinese religious art,Tibetan temple architecture should be given a profound theoretical interpretation in line with the socialist core values under the conditions of the new era,so as to inherit the excellentOgene of culture,show the Chinese aesthetic style,and contribute the power of art to realize the great rejuvenation of the Chinese nation.