索绪尔符号学理论下汉代四神瓦当纹样的图案解析与丝巾设计应用

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为深入解读汉代四神瓦当纹样的符号特征并以现代化形式传播。文章基于索绪尔符号学理论,对汉代四神瓦当纹样的“能指”方面进行分析,包括纹样的造型语言、构图原理和制作技法,挖掘汉代四神瓦当纹样蕴含的“所指”方面,包括传说故事、社会制度、宗教文化等信息。深刻领悟四神瓦当纹样的形式美感与内在文化价值。运用符号学设计方法进行四神纹样的符号提取与创新设计,加以装饰汉代其他流行纹样,形成现代审美下的丝巾图案,推动汉代四神瓦当纹样的发展传承与创新应用。

For an in-depth interpretation of the sym bolic characteristics of the four gods eaves tiles pattern of the Han Dynasty and its dissemination in a modern form.Based on Saussure's semiotic theory,the article analyzes the"signifier"aspects of the Han Dynasty four gods eaves tilese pattern,including the pattern's stylistic language,compos ition principle and production techniques,and digs deeper into the"signified"aspects of the Han Dynasty four gods eaves tiles pattern,including legends and stories,soci al institutions,religious culture and other information.A deep understanding of the formal beauty and intrinsic cultural value of the Four Gods Wadang pattern.Utilizing semiotic desi gn method for symbol extraction and innovative design of the four gods pattern,decorating other popular patterns of the Han Dynasty,forming a modern aesthetic silk scarf pattern,and promoting the inheritance development and innovative application of the four gods eaves tiles pattern of the Han Dynasty.