与现代主义的博弈--米娜·洛伊《女性主义宣言》的女性话语建构

现代主义犹太女诗人米娜·洛伊身份多重,她集艺术家、诗人、剧作家、小说家、未来主义者、女权主义者、演员、灯具设计者以及波希米亚人于一身。洛伊的诗作激进,种族意识强,个人感悟十足,同时还颇具先锋派的特质。本文将以洛伊创作于1914年的诗作《女性主义宣言》为例,探讨其在展现女性主义主体性问题上呈现出的不同的叙述维度,此诗在文本叙事和视觉叙事上均大放异彩。洛伊巧妙地将哲学思想、视觉艺术、文本话语融合在一起,她挑战基于男性主体而生成的语言体系,批判这一单向度且具有压制性的话语体系。在未来主义和直觉哲学影响下,洛伊对构建20世纪初女性主体性身体政治以及推动现代主义的发展做出了巨大贡献。

Modernist Jewish poet Mina Loy is an artist,poet,playwright,novelist,futurist,feminist,actress,light designer,and Bohemian.Her poetry is radical and racial with personal emotions and avant-garde traits.This essay analyzes her 1914 poem“Feminist Manifesto”through the different yet illuminating narrative perspectives,including textual narrative and visual narrative Loy applied.Loy tactfully combines philosophy,visual art,and textual discourse,while challenging the dominant male-oriented discourse system and contributing tremendously to the construction of female subjective body politics as well as the development of modernism of the early 20th century under the influence of futurism and intuition philosophy.