摘要
现代街头的诞生与工业文明的发展和城市化进程息息相关,通过综合性的技术手段,借助街头观看模式的转变,街头实现了自由神话的塑造,构成了新型文化想象的基础。一边是试图超越固定空间束缚的美好愿望,另一边则是愿望背后所隐含的空间占有的合法性辩护,街头空间所携带的自由想象也就成为当代主体生存境遇的一种症候式寓言。
The birth of modern streets is closely related to the development of industrial civilization and the process of urbanization.Through comprehensive technical means and the transformation of the street viewing mode,the street has realized the shaping of the myth of freedom,which constitutes the foundation of the new cultural imagination.On the one hand,there is the good desire to go beyond the shackles of fixed space,and on the other hand,there is the defense of the legitimacy of space occupation implicit in the desire.The free imagination carried by the street space has become a symptomatic allegory of the living conditions of contemporary subjects.
作者
王姮
WANG Heng(School of Design and Art,Tianjin Academy of Fine Arts,Tianjin 300141,China)
出处
《咸阳师范学院学报》
2023年第3期112-116,共5页
Journal of Xianyang Normal University
基金
天津市艺术科学规划项目一般项目(E22026)。
关键词
街头
空间
自由
主体焦虑
street
space
freedom
subjective anxiety