历代和词对苏轼《念奴娇·赤壁怀古》的接受

Acceptance of Su Shi’s Ci Niannujiao·Chibi Huaigu

作为历代和词数量榜首的“金曲”,《念奴娇·赤壁怀古》的次韵创作数量曲线要比其他评价体系更为完整地呈现出词作历代接受情况与发展过程。后人的次韵词作中体现了主体情感、语句描写、字词意象、句式结构等多个接受维度,而这一接受现象的形成背后是由东坡个人影响力、作品自身与前后赤壁赋的合作用力和再接受路径的发展共同造就的。

As the“golden song”at the top of the list of the number of“He Ci”in the past generations,the secondary rhyme creation quantity curve of Niannujiao·Chibi Huaigu presents the acceptance and development process of lyrics over the generations more completely than other evaluation systems.The secondary rhyme works of later generations reflect multiple acceptance dimensions such as subject emotion,sentence description,word imagery,sentence structure,etc.,and the formation of this acceptance phenomenon is jointly created by Dongpo's personal influence,the cooperation between the work itself and the Chibi Fu before and after,and the development of the re-acceptance path.