《小妇人》:多重跨媒介叙事之嬗变

Little Women:the Evolution of Multiple Narrative across Media

美国作家路易莎·梅·奥尔科特于1868年出版的长篇小说《小妇人》,迄今为止的一百五十多年中,主要经历了五次跨媒介叙事,分别为1933年、1949年、1994年、2019年电影版和2017年电视剧版,对这五部作品进行横向和纵向的比较研究发现小说《小妇人》的多重跨媒介叙事之嬉变策略,其中由格蕾塔·葛韦格执导兼编剧,西尔莎·罗南,艾玛·沃森,梅丽尔·斯特里普,“甜茶”提莫西·查拉梅等主演的2019年电影版无论是在非线性复线叙事、服装色彩叙事还是经典文学活态化传承方面都后来居上,打破前四部作品中一直秉承的线性垂直叙事模式,增强了叙事方式的立体感和层次感,巧妙运用了服装色彩叙事,营造了和谐且明快的叙事氛围,传承了小说的原著精神,发扬了与时俱进的时代精神,并鼓励女性勇敢地追求梦想。

Little Women,a novel written by American writer Louisa May Alcott in 1868,has mainly experienced five cross-media narratives in more than 150 years so far,namely 1933,1949,1994,2019 film versions and 2017 TV version.The horizontal and vertical comparative study of these five multi-media narrative works finds the evolution strategies of the novel,among which the movie Little Women in 2019 is ahead in terms of non-linear and multi-line narration,costume color narration and dynamic inheritance of classic literature.This movie is directed and written by Greta Gerwig,starring Saoirse Ronan,Emma Watson,Meryl Streep,and Timothee Chalamet dubbed sweet tea.It breaks the linear and vertical narrative mode that has been adhered to in the previous four works,enhances the three-dimensional sense and hierarchical sense of narration,and skilfully uses costume color narration.It creates a harmonious and lively narrative atmosphere,inherits the original spirit of the novel,carries forward the spirit of the times,and encourages women to pursue their dreams bravely.