古丝绸之路出土织物的身份识别与文化交融

Identification and Cultural Blending of Fabric Relics Unearthed Along the Ancient Silk Road

大量出土于中国新疆、河西走廊地区以及青海都兰的织物遗存和壁画信息,不断推动织物的特点、身份判断和文化属性等问题的讨论。该文对学者们意见进行梳理,抽样部分实物或图像资料进行分析;从织物、图案、复杂技术、多元的文化信息和不同时代语境中艺术样式的形成与演变背后的人与事的变迁,多个层面认识到,这些散落在丝绸之路上的织物和图像遗存,因为地域范围广大、时间不连贯、参考资料不足等问题的存在,硬要剥离出某种具体身份的形象特点,有些牵强。只有把视野放在整个文化交流史的视域下,从实物背后的文化历史空间中,对该区域的文物艺术分时段分区域的综合多方因素考察,方可辨别多元杂糅的文化艺术现象的结构层次,还原历史上民族交融历史时期固有的和谐面貌。

A great deal of such fabrics and murals unearthed in China’s Xinjiang Province,Hexi Corridor region and Dulan County(Qinghai Province)constantly pushed foeward the discussions on their features,identification and cultural merits.this paper foucuses on the analysis of the sample real relic and of design information data in order to reveal the complicated changes of human beings and histories reflected in fabric,design,technique,multiple cultural information from the context of various times.From these various aspects,we found that in analyzing these fabrics and designs it is rather farfetched to acknowledge exactly the identification and features of them,when there do exist such problems of too large geographical scale,discontinuity in time and shortage of reference information.Only by putting them in the scope of whole cultural communication,in the precise space of culture and history of these relics and in the comprehensive investigation of dividing them into different times and different regions,can we reveal their structural levels of multi-dimensional cultural and artistic demonstration and make it possible to reveal the true picture of such periods when there were rich cultural blendings of different ethnic groups in Chinese history.