蒂姆·英戈尔德的身本人类学路径与思想研究

Tim Ingold’s Research Approach and Thought of“Anthropology from the Body”

在“从生态到技术,从技术到艺术”的研究路径转换过程中,蒂姆·英戈尔德逐渐形成了身本人类学的研究范式。以“栖居视角”探讨意识和行动在人与环境互动中的隐喻,关注实践中人的技能获得与行动者认知与能动性的具体化,并借用知觉生态学和现象学理论去破除笛卡尔建构的身-心/人-物“二元论”所带来的艺术领域与技术领域之间的生硬划分,并力图整合科学、人类学、生态学、考古学、艺术、语言和考古以重新看待人与世界、人与自然,进而反思形式和质料、制作与意义、经验与艺术之间关系。

In the process of conversion of research path from ecology to technology,and from technology to art,Tim Ingold using his“Dwelling Perspective”to discuss the metaphors of Consciousness and Action in Human-environment Interaction,gradually formed his own research paradigm.Focusing on the acquisition of human skills and the realization of actor cognition and agency in practice and basing on theories of perceptual ecology and phenomenology,Tim Ingold breaks the“body-mind and human-thing”boundaries,the dualism constructed by Cartesian,which is the dualism divide out two field:art and technology.Tim Ingold tries to integrate science,anthropology,ecology,archaeology,art,language,archaeology to reflect the world an human,man and nature,and then reflect on the relationship among material,making and meaning,experience and art.