现象透明性美学解读

Aesthetic Interpretation of Phenomenal Transparency

透明性理论是二十世纪最具争议的建筑理论之一,是一种借由立体主义绘画对比分析现代主义代表性的建筑,将“透明性”分为“物理的”和“现象的”两个层面的理论。有些学者对“现象透明性”理论存疑,他们认为“现象透明性”的概念突变,且佐证案例不具有普遍性。虽“现象透明性”理论存在局限性,但给建筑学以及建筑设计带来了不同维度的思考和多重解读的可能。目前,关于“现象透明性”理论的美学研究较少。试图采用知识社会学的研究路径,运用各类文献材料溯源“现象透明性”理论发生的内在机制,梳理其理论发展脉络,从建筑环境美学的角度解读了“现象透明性”的客观美学和主观美学,以期为建筑设计及表现提供理论指导。

The theory of transparency is one of the most controversial architectural theories of the 20th century.It is a theory that divides"transparency"into"physical"and"phenomenal"by comparing and analyzing the representative architecture of modernism through cubist paintings.Some researchers had doubts about the theory of"phenomenal transparency".They reckoned the concept of"phenomenal transparency"was changed,and the supporting cases were not convincing.Though the theory of transparency has limitations,it possesses important meaning by providing thoughts from different dimensions and interpretations from different aspects of architecture and architectural design.Currently,little research is published on the aesthetic interpretation of the theory of"phenomenal transparency".The present paper tries to study the inner mechanism,understand the evolution of the"phenomenal transparency"theory based on the knowledge sociology research approach and various literatures,and interpret the objective and subjective aesthetics of the"phenomenal transparency"theory from the perspective of the architectural environment in order to provide theoretical guidance for architectural design and expression.