摘要
养心殿是清乾隆帝理政和生活之地,也是他收藏书画的重要场所。在养心殿的百余件书画藏品中,既有名品佳迹,也有伪品赝作。本文依据《石渠宝笈》、造办处活计档案、明清文人笔记及画史画论等,结合画作款识、印章、画风以及跋文进行综合探究,对养心殿藏女画家管道升、文俶、陈书款的12幅画作加以真伪辨析,以此深化乾隆朝宫廷书画鉴藏史的内涵。
The Hall of Mental Cultivation(Yangxindian Hall)of the Forbidden City once served as the office and residence of Emperor Qianlong(乾隆)in his reign during which he collected paintings and calligraphies as many as some 1oo articles consisting of masterpieces and counterfeits.This thesis focuses on the 12 pieces of paintings by lady painters'works bearing the signatures of Guan Daosheng,Wen Chu,Chen Shu for their identity and authenticity of the works with the consultation of the classical literature like the Collected Treasures of the Stony Moat(Shiqu Baoji in Chinese pinyin),the files of imperial workshops,the Ming-Qing scholars'notes with their comments,theory and history on art,inscriptions and artistic style,by which it is to learn more about Emperor Qianlong's Court's calligraphy and painting collection in history meanwhile.
出处
《故宫博物院院刊》
CSSCI
北大核心
2023年第7期140-151,159,共13页
Palace Museum Journal
基金
故宫博物院“英才计划”
北京故宫文物保护基金会学术故宫万科公益基金会专项经费资助。
关键词
养心殿
管道升
文俶
陈书
乾隆帝
真赝
Yangxindian Hall(Hall of Mental Cultivation)
Guan Daosheng
Wen Chu
Chen Shu
EmperorQianlong(乾隆)
genuine and fake