摘要
作为人类实践对象世界的介质形态,媒介的技术衍化在创新现代审美场域表征图式及其审美体验的同时,也不断更新着人类对其自主意识生产可能性的认知框架。现代媒介基于形式元素的权力生产体例、跨媒介的表征结构与“劝服”策略、双向互动的权力公约机制以及愈益生活化的实践向度,形构了技术治下媒介权力的典范性征,在更为亲民、在场的感官体验与劝服结构中营造了权力生产的现代效应,同时也架构了审美场域权力表征的现代张力与异化之可能,而由之生发的知识话语对人工智能技术及其“后人类”图景不无启发。
As the medium form of human practice,the technological evolution of media not only innovates the representation schema and aesthetic experience of modern aesthetic field,but also constantly updates the cognitive framework of the possibility of production of its independent consciousness.The power production style of modern media based on formal elements,the representation structure of cross-media,and the strategy of persuasion,the interactive power convention mechanism and the practical dimension of becoming more daily,form the model of media power under the rule of technology.The model creates a modern effect of power production in a more accessible and present sensory experience and persuasive structure,and at the same time constructs the modern tension and possibility of alienation in the representation of aesthetic field power.The knowledge discourse born from it enlightens the artificial intelligence technology and its post-human picture.
作者
王婉婉
WANG Wan-wan(School of Literature and Communication,Guangdong Polytechnic Normal University,Guangzhou,Guangdong,510665)
出处
《新疆大学学报(哲学社会科学版)》
2023年第5期119-126,共8页
Journal of Xinjiang University(Philosophy and Social Sciences)
基金
安徽省哲学社会科学规划项目“技术媒介与文学经典的现代传播机制研究”(AHSKY2019D121)。
关键词
技术媒介
意识形态
权力话语
审美生产
人工智能
Technical Media
Ideology
Power Discourse
Aesthetic Production
Artificial Intelligence