中古中国的粟特与胡舞播散

The Dissemination of Sogdian and Hu Dance in Medieval China

学界认为,胡舞特别是胡旋舞、胡腾舞、柘枝舞由西域向东传播,与粟特人向东移动有着直接关系。历史上粟特人自龟兹的东移脚步,也可看作“胡舞”向东前行的“聚落”。因其附着于经商事实后文化行为与风俗之间的交互,粟特人将其“善酒好歌舞”的性格播撒于丝路沿线,且以不断吸纳、包容的文化品格,随迁徙路线而不断延展,将中西特别是西域与中原的乐舞交融推向了纵深,深刻地影响了今天中国特别是新疆乐舞(舞蹈)艺术形态。

The academic circles believe that the eastward spread of Hu dance,especially Huxuan dance,Huteng dance and Zhezhi dance from the western regions,is directly related to the eastward movement of Sogdian.In history,the eastward movement of Sogdians from Qiuci can also be regarded as the“settlement”of eastward-moving“Hu dance”.Due to its dependence on the interaction between cultures and customs after trade activities,Sogdians extend their character of“being good at drinking wine and preference for singing and dancing”along the Silk Road,and continue to expand along the migration route with their cultural quality of constant absorption and tolerance,boosting the in-depth integration of Chinese and Western music and dance,especially those of the Western regions and the Central Plains,and exerting a profound impact on the artistic forms of music and dance in today’s China,especially Xinjiang dance.