基于中国园林景观视角论西方绘画对明末清初民间古籍插图刻绘的影响

The Influence of Western Painting on the Illustration of Ancient Folk Books in the Late Ming and Early Qing Dynasties Based on the Perspective of Chinese Garden Landscape

明末清初民间古籍插图刻绘受西方绘画的影响研究,能够揭示那一时期“图像生产”变革的动因以及“园林图像”在二维纸面得以呈现的形式建构原理。文章从宗教题材版刻插图中的“风景建筑”作为其画面背景、科学译著与著作中关于“制图”原理技法的插图、民间山水版刻插图的代表作《太平山水图画》出发,基于以上3个层面来阐释明末清初民间古籍版刻插图刻绘的演变历程,从中可见西方绘画对明末清初古籍版刻插图刻绘产生的影响,不仅包括绘画技法层面的选择性吸收以及中西合璧式图像制作,而且还进一步扩展了“如何表达景观”认知思维层面的精准性逻辑生成。

The study of the influence of Western paintings on the illustrations of folk ancient books in the late Ming and early Qing dynasties can reveal the motivation for the transformation of"image production"in that period and the principle of the form construction of"garden images"presented on two-dimensional paper.The article starts from the"landscape architecture"in the engraved illustrations of religious themes as the background of the picture,the illustrations about the principles and techniques of"cartography"in scientific translations and works,and the representative work"Taiping Landscape Painting"of folk landscape engraved illustrations,based on the above three From the perspective of explaining the evolution of folk ancient book engraving illustrations in the late Ming and early Qing Dynasties,it can be seen that the influence of Western painting on ancient book engraving illustrations in the late Ming and early Qing Dynasties not only includes the selective absorption of painting techniques and the combination of Chinese and Western In addition,it further expands the precise logical generation of the cognitive thinking level of"how to express the landscape".