摘要
帕拉艺术风格,又称“波罗艺术风格”,形成于古印度帕拉王朝,从11世纪传入西藏,并通过本土化改造,衍生出了诸多波罗风格变体,对西藏绘画的发展产生了深远影响,其在西藏美术史上也占据着重要地位,吸引许多国内学者的关注与研究。笔者对20世纪末以来国内关于西藏帕拉艺术风格绘画的重要文献论著中学者的重要观点、研究成果、研究思路等进行系统爬梳整理,并概述其研究特点,以求发现当下的研究空间,期待挖掘更广阔的研究领域。
The Pala art style,also known as"Baltic art style",was formed in the Pala Dynasty of ancient India and introduced into Tibet in the 11th century.Through localized transformation,it has derived many varieties of Baltic style,which has had a profound influence on the development of Tibetan painting and occupies an important position in the history of Tibetan art,attracting the attention and research of many domestic scholars.The author systematically collates the important viewpoints,research achievements and research ideas of scholars in the important literature on Tibetan Pala art style painting in China since the end of the 20th century,and summarizes their research characteristics in order to discover the current research space and look forward to exploring a broader research field.
作者
杨清清
夏吾端智
Yang Qingqing;Xiaowu Duanzhi
出处
《西藏艺术研究》
2023年第2期92-100,共9页
Tibetan Art Studies
关键词
藏传佛教绘画
帕拉风格
西藏
印度
Tibetan Buddhism Painting
Pala style
Tibet
India