摘要
本文比较了古书画修复中有关全色的传统操作理念和20世纪后受到外来理论冲击而产生的一些新观念,并结合当下科技研究成果,提出应根据中国书画的画种特性,制定独立的全色接笔标准。文章从文献档案查阅、科技分析检测、数字技术模拟以及修复日志记录等方面详细论述了全色接笔实操标准的制定内容和方向。根据当前我国博物馆人员专业构成的现状,提出在古书画修复中应打造跨学科融合的工作方式,以推动行业的标准化与科学化。
This paper compares the traditional views on color retouching of ancient calligraphy and paintings with the new ones affected by foreign theories since the 20th century.Combining current scientific and technological achievements,the paper puts forward that the standards for color retouching should be developed,based on the characteristics of traditional Chinese calligraphy and paintings.This paper elaborates the content and directions to develop standards for practical operation of color retouching,which include literature consulting,technological test,digital technology simulation and restoration log.Based on current situation of professions of China's museum personnel,the paper highlights an interdisciplinary working method in restoration,to promote the standardization and scientization in this field.
作者
李燕懿
LI Yan-yi(The Palace Museum)
出处
《中国标准化》
2023年第15期105-110,151,共7页
China Standardization
关键词
全色
书画修复
科技检测
数字技术
标准化
color retouching
restoration of calligraphy and paintings
technological test
digital technology
standardization