摘要
本文以北齐二彩、初唐黄釉加彩俑和唐三彩为研究对象,归纳这三类器物的基本特征并比较异同,探讨此类低温多彩陶瓷器的外来文化影响。北朝晚期,受外来文化强烈冲击,以北齐二彩为代表的低温多彩陶瓷器得以出现;盛唐时期,外来文化与本土文化融合,以俑类制品为代表的三彩器,成为唐代丧葬文化的重要组成部分。从北齐至盛唐,低温多彩陶瓷器的出现与发展,是为这一时期胡汉文化面貌交融的具象体现。
Here is a contrast analysis between three types of low-temperature multi-colored objects in the thesis referring to the Northern-Qi bi-colored potteries,the early-Tang yellowglazed colored-pottery figures and the Tang tri-colored ceramics for their major features of each and the foreign cultural impacts upon them.It is summed up as follows:the Northern-Qi lower-temperature multi-colored objects represented by the bi-colored potteries are the products of the imported cultural impacts upon the late Northern Dynasties;the Tang tricolored pottery figures embody the mixture of foreign-local cultures that reached by the glorious Tang times,which play the important part in funeral culture of the era;The production and development of the low-temperature multi-colored pottery objects specifically presents the Hu-Han blending in culture through the Northern-Qi and the fourishing Tang dynasties.
出处
《故宫博物院院刊》
北大核心
2023年第8期70-81,133,134,共14页
Palace Museum Journal
基金
北京故宫文物保护基金会学术故宫万科公益基金会专项经费特别资助。
关键词
北齐二彩
初唐黄釉加彩俑
唐三彩
低温多彩陶瓷器
the Northern Qi bi-colored pottery
the early-Tang yellow-glazed coloredpotteryfigure
the Tang tri-colored pottery
the low-temperature multi-colored ceramics