非虚构写作视野下的“新山乡巨变”——以罗伟章《凉山叙事》《下庄村的道路》为例

“Great Changes in New Mountain Villages”from the Perspective of Non-Fiction Writing——A Case study of Luo Weizhang’s Liangshan Narrative and The Road to Xiazhuang Village

“新山乡巨变”是罗伟章《凉山叙事》《下庄村的道路》两部非虚构作品的主要内容。他坚持以事实抵达真实的写作伦理,有效介入到当下的乡村现场。同时,其在社会学、文化人类学、历史学的跨领域叙述,多维度地展现了乡村现实的复杂,也让文学承载起更为真实的社会历史现象。而他对小说、散文等文体写作手法的借用,则熔铸文学性的审美品格于中国“新山乡巨变”的民族史诗之中,弥补了非虚构国家叙事中审美的缺失。罗伟章的非虚构写作有效避免了宏大叙事“主题先行”的弊病,其真实性与文学性兼具的写作方式,或可为当代中国民族史诗叙事提供经验资源。

“Great Changes in New Mountain Villages”is the main content of Luo Weizang’s two nonfiction works named Liang⁃shan Narrative and The Road to Xiazhuang Village.He insists on the writing ethics of using facts to reach the reality and effective⁃ly intervening in the current rural scene.At the same time,his cross-field narration in sociology,cultural anthropology and history shows the complexity of rural reality in multiple dimensions,and also makes literature carry more real social and historical phe⁃nomena.His borrowing of literary writing techniques,such as novels and essays,imbues literary aesthetic character into the na⁃tional epic of“Great Changes in New Mountain Villages”and makes up for the lack of aesthetics in non-fictional national narra⁃tives.Luo Weizhang’s non-fiction writing effectively avoids the disadvantage of“theme first”in grand narration,and his writing style with both authenticity and literature may provide experience resources for contemporary Chinese national epic narration.