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论严平的“非虚构”写作

On Yan Ping’s Non-fiction Writing
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摘要 随着当今社会文化语境的不断变迁,文艺“多元化”和文学创作的“跨文体”特征愈发明显。在严平的非虚构作品中,呈现出对中国现当代文学史的微观书写和独特的文本叙事美学特点。严平以创作主体的在场亲历性和史料调查整理,丰富和深化了中国现当代微观文学史的内容,又以其诗化语词和女性化叙事美学,弥补了近年来“非虚构”写作文学价值的不足,突破了国内“非虚构”写作历史的和美学的意义局限,具有较高的研究价值。 With the constant change of the current social and cultural context,the pluralism of literature and art and the crossstyle characteristics of literary creation are becoming more and more obvious.Yan Ping’s non-fiction works show the microcosmic writing and unique aesthetic characteristics of text narration on the history of modern and contemporary Chinese literature.Yan Ping enriches and deepens the content of modern and contemporary microcosmic literature history with the presence of the creator and the investigation and collation of historical materials.In addition,with her poetic words and feminine narrative aesthetics,she makes up for the lack of literary value of non-fiction writing in recent years and breaks through the limitations of historical and aes⁃thetic significance of domestic non-fiction writing.
作者 徐宏任 Xu Hongren(Heilongjiang University)
出处 《写作》 2023年第4期58-68,共11页 Writing
关键词 严平 非虚构 文学史 叙事美学 Yan Ping Non-fiction History of Literature Narrative Aesthetics
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