自然之诗——基于图解工具的王澍建筑设计思想探析

The Poetry of Nature:An Exploration of Wang Shu's Architectural Design Ideas Based on Diagrammatic Tools

“自然”一直是王澍所秉持的建筑设计理念,该文首先通过类比于柯布西耶的《直角之诗》结构,对王澍建筑作品创作之初的草图进行总结,试图从“环境”“血肉”“思想”“工具”“特质”“融合”和“物料”这七个层次去得出对应的图示。接着对七个层次的具体内容结合图解分析的方式去逐层剖析,揭示自然理念在王澍多个建筑作品中的表达方式,进而得出王澍的自然不单单指我们身体上所能感受到的物质自然,更深层次的是一种出于自然的观想态度,它是符合物质世界的这一生命性、差异性、复杂性的精神自然。

"Nature"has always been the architectural design concept of Wang Shu.Firstly,by comparing the structure of Le Corbusier's Poem atRightAngles,we summarize the sketches of Wang Shu's architectural works at the beginning of creation,and try to draw corresponding drawings from seven levels of"environment","flesh","thought","tool","quality","fusion"and"material".Then,the specific content of seven levels is analyzed layer by layer with graphic analysis,so as to reveal the expression of the concept of nature in many of Wang Shu's architectural works,and then we conclude that the nature of Wang Shu does not only refer to the physical nature we can feel,but a deeper level is an attitude of thinking out of nature.It is in line with the material world of this life,difference,complexity of the spiritual nature.