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图像的暗恐:以奥托·施泰纳特的主观摄影为例

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摘要 摄影是技术与艺术结合的表达媒介,它的发展变化与社会思想息息相关。20世纪上半叶,德国本土摄影师的拍摄意趣因战争发生转变,这些变化对世界摄影的发展产生了深远的影响。本文以德国摄影师、摄影教育家奥托·施泰纳特的主观摄影作品为例,从西格蒙德·弗洛伊德的暗恐理论出发,阐述与分析第二次世界大战结束后德国摄影图像的特征与变化发展。
作者 李锦
出处 《美术文献》 2023年第3期72-74,共3页 Fine Arts Literature
基金 浙江省教育厅一般科研项目“基于弗洛伊德非家幻觉理论的摄影图像研究”(项目编号:Y202045362)的研究成果。
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