《红发女人》“全球本土化”写作的非历史化问题

The Dehistoricization of"Glocalization"Writing in The Red-Haired Woman

帕慕克的《红发女人》作为新世界文学中“全球本土化”的代表,具有非历史化倾向:它借用东西方传统中的图文经典编织了当代的“寻父”故事,刻意省略了“父子相残”主题里西方也曾存在的“噬子”神话与艺术史,用先入为主的西方话语构筑了“有选择的过去”;而红发女人三十年容颜不老,成为超时间的存在。这类写作常常在现象学意义上看似包容与开放,较上一代作家更具世界眼光,甚至也对本民族的传统怀有脉脉温情,但事实上其选择性的表述和叙事取消了时间的纵深感,没有聚焦,可能使人忽略历史深度、社会现实,落入“自我东方化”的困境。这是新世界文学“全球本土化”写作应该特别引起注意的问题。

As a representative work of"glocalization"in the new world literature,Pamuk's The Red-Haired Woman has the inclination of dehistoricization:it weaves together a modern day story about"searching for the father"by adapting the graphic classics in the Eastern and Western traditions,but deliberately omitting the history of myth and art surrounding the act of"eating the son,"which has long existed in the Western theme of the"father-son fratricide,"thus configuring a"selective past"based on the preconceived Western discourse.At the age of 30,the red-haired woman has no sign of aging in her appearance,almost like a being beyond time.This kind of writing seems inclusive and open in the phenomenological sense as if the author has a greater world vision and more tender feelings toward national traditions than the previous generation,but in fact its selective expression and narrative obliterate the depth of time,remove the focus,and cause people to neglect historical profoundity and social reality till they fall into the dilemma of""self-orientalization."This is the issue that the"glocal"writing in the new world literature should look into more attentively.