互为、求变与从众——磁州窑高温花釉壁画的审美内涵

Mutual Advancement, Pursuit of Transformation andConformity—Aesthetic Connotation of Flower Glazed Murals Producedat High Temperature in Cizhou Kiln

磁州窑高温花釉壁画作为陶瓷壁画的表现形式之一,其釉色厚重、色彩艳丽、表现力强,成为较理想的室内外壁画装饰材质,在许多城市建筑空间中被广泛应用,并展现出其独特的魅力。从空间场域、形式、文化三个不同角度来论述磁州窑高温花釉壁画的审美内涵,指出建筑空间、所处环境场所身份与壁画之间形成互动的空间场域环境;花釉壁画的本体语言与外在表现形态凸显了求变的审美形式;壁画语言的亲和效应、图示内容的叙事表征、内涵表达的人文关怀体现了从众的审美文化观。这三个角度相互渗透而又各有侧重,既反映了壁画艺术所具备的功能价值,又具有花釉壁画语言的独特材质之美,共同构成磁州窑高温花釉壁画的审美内涵。

In terms of the flower glazed murals produced at high temperature in Cizhou Kiln,it is considered as one of the expression forms of ceramic murals.Due to its advantages of thick glaze,bright color and strong expressiveness,it has been used as an ideal decorative material for indoor and outdoor murals.Moreover,it is widely used in many urban architectural spaces,which presents its unique charm accordingly.This article is mainly aimed to elaborates and discusses the aesthetic connotations of flower glazed murals produced at high temperature in Cizhou Kiln from three perspectives,i.e.,space field environment,sense of form and cultural view.On such basis,it also further demonstrated that the space environment view is hereby established among the architectural space,the identity of environmental site and the murals and the form view for pursuit of transformation is manifested by the noumenon language and external manifestation of the glazed murals.The view of aesthetics and culture is manifested by the affinity of mural language,the narrative representation of graphic content and the humanistic care of connotation expression.In this regard,the three perspectives are able to influence and permeate with one another,while they have their own highlights.They not only reflect the functional values of the mural arts,but also show the unique material beauty manifested in the flower glazed mural language.Finally,they consist the aesthetic connotation of the flower glazed murals produced at high temperature in Cizhou.