被记忆的欲望与原初性身体:斯蒂格勒的电影器官学

The desire in memory and the primal body:Stiegler's cinema organology

斯蒂格勒解决技术的熵和负熵的问题,确立技术的建构作用,强调“技术生命”是由有机体和器官学的双曲熵构成,第三持留电影制品是“器官学”的生命形式,技术作为身体外部“代具”延伸内部意识,第三持留与意识本原紧密相连,所形成的“媒介记忆”强化欲望的再生产,此外基于技术记忆的积累,技术的演进也影响人的主体性生成,外在技术也激发人类主体更多欲望的表露,原初性身体的欲望叠加技术身体代具的欲望共同筑造个体感知升级。

Stiegler addressed the issues of entropy and negentropy in technology,and established the constructive role of technology,emphasizing that"technological life"is composed of hyperbolic entropy of organisms and organology and that the movie product of rétentions tertiaires is a life form of"organology".He also believes that technology extends internal consciousness as an external"prothéticité"of the body.rétentions tertiaires is closely connected to the primal consciousness,forming a"medium memory"that strengthens the reproduction of desire.In addition,based on the accumulation of technological memory,the evolution of technology also affects the generation of human subjectivity,and external technology also stimulates the expression of more desires of human subjects.The primal desire of the human body,combined with the desire of the technological prothéticité,jointly constructs an individual's perception upgrade.