摘要
自改革开放以来,琵琶音乐的创作进入繁荣期。在海内外作曲家与琵琶演奏家的共同努力下,新的琵琶作品如雨后春笋般涌现,随之琵琶的演奏技法也得到了空前发展。20世纪80年代以来出现的45种琵琶新技法,可分为单一乐音类、特殊音效类、传统技法拓展类及新组合类四个类型。对这些新技法进行归纳梳理与研究,规范其符号标识,并对其发展趋势做出展望,为琵琶演奏与教学实践提供学科规范与学理参考。
Since the reform and opening-up policy,the creation of Pipa music has entered a period of prosperity.With the joint efforts of composers and Pipa performers at home and abroad,new Pipa works have emerged like bam⁃boo shoots after rain,and the playing techniques of Pipa have also developed unprecedentedly.Since the 1980s,there have been 45 new techniques developed for the pipa,which can be divided into four categories:single-note techniques,special sound effects techniques,expanded traditional techniques,and new combination techniques.It then looks forward to the standardization and development trend of playing techniques,in order to provide disciplinary norms and theoretical references for Pipa performance and teaching practices.
出处
《浙江艺术职业学院学报》
2023年第2期60-70,共11页
Journal of Zhejiang Vocational Academy of Art
基金
浙江艺术职业学院2022年度青年教师科研团队培育项目“琵琶演奏艺术教学研究团队”研究成果
浙江省省属高校基本科研业务费资助。(项目编号:QNTD2022002)。
关键词
琵琶
演奏
新技法
Pipa
performance
new techniques