视觉文化时代的身体景观与主体性归位——论电视剧《人世间》的女性身体叙事与女性意识

TV Series A Lifelong Journey:Narrative Logic and Female Consciousness under the Body Landscape

当代视觉文化的崛起制造了大量身体景观,但其主体性不强,时常迎合男权文化。电视剧《人世间》真实再现了众多女性身体,是一部女性身体叙事的典型文本,它对女性身躯的复杂叙事折射出矛盾的女性意识。一方面,作品对女性身体进行创伤处理,将其作为获得男权社会认可的伦理价值,通过展示女性“被看”的身体,使女性成为男性的欲望客体;另一方面,以周蓉、冯玥为代表的自觉女性则对抗和反击男权文化对女性身体的剥削。对剧中女性创伤之躯、可视之躯和自觉之身的叙述分析,不仅有利于揭示男权文化对女性身体的制约与形塑,具有指导中国当代女性“从身体中醒来”的现实意义,而且有助于男性在对待女性问题上进行自我反省与批判,弥合男权文化漠视女性身体叙事的鸿沟。

As a text of female body narrative,the TV series A Lifelong Journey reproduces many female bodies,and the contradictory narrative of the female body reflects the contradictory female consciousness of the work itself.On the one hand,the work deals with the trauma of the female body as an ethical value recognized by the patriarchal society,and makes women the object of men's desire by showing the“seen”body of women;The conscious women represen⁃ted by Yue completed the confrontation of the male-dominated culture against the physical exploitation of women.Through the narrative research on the traumatic body,visible body and self-conscious body of women in the play,it is not only conducive to revealing the restriction and shaping of the female body by patriarchal culture,but also can guide contemporary Chinese women to“wake up from the body”.It also helps men to self⁃reflect and criticize women's issues,and bridge the gap between male⁃dominated culture's narrative of women's bodies.