论贾平凹文学观中的道家思想及其艺术追求

Admiration for Tao——On Jia Pingwa's Taoist Literary Concepts and Artistic Pursuit

贾平凹深受道家思想影响。他谈到的“静虚”“以丑为美”“以实写虚”“一切自然而为”等概念和观点,及对“整体”“浑然”“质朴”“阔大”或“大气”艺术境界的追求与论述,皆可看到以老庄为代表的道家思想对其影响的痕迹。贾平凹道家文学观念的形成及其艺术实践,既是他曾经生活过的故乡商州的地理环境、地域文化影响所致,也是其后天长期研习道家经典的一个结果。

Jia Pingwa was deeply influenced by Taoism.The concepts and viewpoints of"quietness and emptiness""ugliness as beauty""reality as emptiness""all nature as action"and his pursuit and discussion of the artistic realm of"whole""harmony""simplicity""vastness"or"greatness"can be seen as traces of the influence of Taoism represented by Lao zi and Zhuang zi.The formation of Jia Pingwa's Taoist literary concepts and his artistic practice are not only the result of the geographical environment and regional cultural influence of his hometown Shangzhou,where he once lived in,but also the result of his long-term study of Taoist classics.