中国故事的在场与一代人的历史确证--论鲁敏小说《金色河流》

The Presence of Chinese Story and Historical Confirmation of a Generation:On Lu Min's Novel The Golden River

在《金色河流》中,鲁敏以魄大气象通过财富讲述改革开放以来当代中国最大的“现实”,完成了从人性探究到现实书写的美学转向,实现了对当代中国大时代故事的在场书写。《金色河流》标志着以鲁敏为代表的改革开放的同代人与在场者开始以文学来处理时代大问题,并谋求在历史与时代之中确证自己,这既是重大的文学事件,也是重大的精神事件,更是文学经典化的必经之旅。

In The Golden River,Lu Min talks about the greatest reality in contemporary China since the reform and opening up with great courage and fortune,completed the aesthetic shift from exploring human nature to writing reality,realized the writting in presence of contemporary Chinese story.The Golden River marks the same generation and present of the reform and opening up represented by Lu Min,starting to deal with major issues of the times through literature,which is not only a significant literary event,but also a significant spiritual event,and a necessary journey for literary canonization.