从批判的地域主义到抽象的乡土性--赵扬建筑事务所乡土实践中的独特性与启示

From Critical Regionalism to Abstract Vernacular:The Uniqueness and Inspiration in Rural Architecture Practice of Zhao Yang Architects

当下中国的乡村振兴建设如火如荼,为了适应快速变化的乡村风貌,批判的地域主义变得更容易被接受,这种策略似乎是使位于特定地点的项目合理化的一个基本正确的方法。然而,批判的地域主义往往只考虑如何在同一层面平衡建筑的现代性与乡土性,而忽视了现代性和乡土性都与特定的和适合的功能密切相关,这也意味着在建筑实践中,不同的元素可能存在于不同的部分,组合在一起甚至产生拼贴式的效果。文章希望以位于云南的建筑师赵扬的乡土建筑实践为切入点,分析其是如何超越批判的地域主义藩篱,通过积极的思考和实践,借用现代性的设计策略将乡土性抽象化,进而为未来中国的乡土建筑实践带来新的启发。

With rural revitalization in full swing in China today,critical regionalism has become more acceptable in order to adapt to the rapidly changing rural landscape,and this strategy seems to be a fundamentally correct way to rationalize projects which located in specific locations.However,critical regionalism tends to consider only how to balance modernity and vernacularity at the same level,ignoring the fact that both modernity and vernacularity are closely related to specific and appropriate functions,which also means that in architectural practice,different elements may exist in different parts,when combined together it may even produce collage feature.Taking the vernacular architectural practice of Yunnan-based architect Zhao Yang as an entry point,this paper hopes to analyze how he transcends the barriers of critical regionalism and abstracts vernacularity through active thinking and practice,borrowing modernity as a design strategy,thus bringing new inspiration for future vernacular architectural practice in China.