湘西古戏台建筑神圣性与世俗性的双重体现

The dual embodiment of the sacredness and secularity of Xiangxi ancient stage

以湘西古戏台建筑为例,通过对平面形制、院落布局、营造技艺的总结,关注到祭祀空间和观演空间的衍化,进而分析古戏台建筑空间体现的场所精神,并通过“娱神”到“人神同乐”的转变进一步论述古戏台建筑神圣性和世俗性的双重体现,为形成适应时代的新聚落民俗活动空间设计思路打下理论基础。

Taking the ancient stage architecture of Xiangxi as an example,through summarizing the plane form,courtyard layout,and construction techniques,it pays attention to the evolution of the sacrificial space and the performance space,and then analyzes the spirit of the place embodied in the architectural space of the ancient stage.The transformation of“people and gods enjoy the same happiness”further discusses the dual embodiment of the sacredness and secularity of the ancient stage architecture,and lays a theoretical foundation for the formation of a new settlement and folk activity space design ideas that adapt to the times.